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.

was so tired of having to always answer the same questions, which had long failed to recognize the picture that these responses reflect it as immutable that repeated and flow automatically.

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As part of its already discussed campaign launch, now they got to make 3D presentations in local and facades of buildings. Look at all the visual appeal that display:

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Adidas does not stop what comes

as not all graphic design, look what that comes to work:

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What surprised us dancing!

Tonight we see the moon bigger and brighter than any other night of the last thirty years (or any night of our lives for those who have less than this age). This is that the satellite will be at the point of orbit closest to Earth (this situation is called "perigee"), and also will be in the full moon.

I leave a fragment of "Pedro Paramo" by Juan Rulfo, which is perfect for the occasion:

"There was a large moon in the middle of the world. I lost the eyes looking at you. The moonlight filtering on your face. I am not tired of seeing the apparition that was you. "

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acdsleeve studio, visual alternative packaging

Excellent packaging design proposal for cds and more attractive to use a common element: http://www.acdsleeve.com/

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Packaging attack?

Is this the future of packaging in the world? becoming more and more impressive the resource to be invested for the consumer to approach the product, as in this case:

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The nest of lovers (The nest of lovers)


"(...) And I see you because I love you.
was not youth, it was love
when then lived without knowing your way
looking at the wind,
the real fruit. Saw spiders where there was always music

away from so many dreams that illuminate
this way of looking at
doors to the surprise of his certainty, pale
the soul where darkness but there was never water

and dance.



(...) And I see you because I love you.
is love that makes no sense. Raise your face now
medium wind
transparency and around aimlessly
the promise of spring, apple trees
with joy in your body
which is harmony and happiness,
with the smoothness of shyness when
it grows dark and the sky and the sea
leave and never return
when the new joy I live,
far from memory, the pain alone,
the truth of love that is yours and mine. "

Claudio Rodríguez.

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film, poster and graphic design

One of the great qualities which have the movie poster is the ability to minimalist and concrete with a few pictures around a general idea of \u200b\u200bcontent, essentially and even the plot of a movie. This is a great resource to begin to enter the field of semiotics of the image and learn to be more direct on the intent of the design: short and effective message. Loud and clear. Understandable and enjoyable. Striking and it works.

For that, this is a good guide: http://www.icouple.sg/blog/entertainment/movies/2528

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puberty in 1 minute

One Minute Puberty from bitteschön.tv on Vimeo .

An excellent visual account of the period over melodramatic lives.

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photography and communication of emotion






I was cursed by nature with not knowing how to take a picture, but as any punishment has its rewards, I learned to make my shortcoming to light an inspiration to know the value of photography visual communication. I've also seen excellent management inspirational Image: Alberto Echavarria, Lyda Agudelo and Joaquin Ossa, among others. All this mental litter and to recommend this site, excellent: http://totallycoolpix.com

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A very good study






Diverse, excellent portfolio, good handling and personality typing. That is the study of Portland, Oregon. Be inspired. Http://www.omfgco.com/property-of/scout-books/

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wordmark. Another place to try out fonts.


How will this title with this font? What will be more readable? What will fit better typography this logo? will I have a very good solution: wordmark.it. enjoy it and use a designer, so it can learn to manage fonts. Http://wordmark.it/

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Things that happen (V)

Every two or three months, James favorite hobby changes. Now it was literature, so I began reading the paper's culture section to learn about what the author was in vogue. One day, he ran a banner headline announcing that in a month, a famous writer would visit their city, on the occasion of the presentation of his latest novel. This writer, reviews highlighted the simplicity and elegance of his writings. Jacobo smiled, decided to read all their literature, because it had not been a very prolific author, had published only five novels, but all high quality, to the comments of critics. Began to dream of intellectuals attend meetings and participate in their gatherings which scholar, showing others that he was a connoisseur of this author as relevant.

Went to the library next to his house and ordered all the books they had in stock that were born from the mind of that great. However, to their disappointment, they had exhausted all his novels, and possessed only a copy of his autobiography, though he promised that within a week reach volumes requested. James decided to read the reports would give a new face on the reading of the works, a rich interpretation of each sentence. According

turned the pages, James was feeling more and more distress, to see how his dreams fell apart. The writer had been in his childhood a sickly child, in a timid teenager and adult in its day was a hypochondriac, a smug and ... a crook. I could not possibly read any of the works of this monstrosity he said when closing the book.

James was terribly distressed. But since they had invested their time to get to know this to be terrible, came to the meeting dressed in his best suit, accompanied by a round hat and granny glasses she had bought for the occasion, and that gave a true bohemian, and the question time, raised his hand to express, in a solemn manner:

- I hate you.

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Jeff Canham. Color Typo




I found this designer's portfolio. very good management of good fresh color and application of typography. Excellent signage. It reminded me of the shirts that we bought in the late 70's with typography in motion, very Disco and mirella to give it a supervistos, almost anticipating the explosion of color and saturation of the 80's. Very bacano, look at: http://www.jeffcanham.com/work/design/

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An excellent choice for the damned of typography

Este sitio permite poder escoger y asociar tipografías para utilizarlas en piezas de Diseño. Me parece bastante funcional y efectiva, además a aquellos que han sido maldecidos por la Diosa de la Tipografía, les va a ser de una utilidad pasmosa. Disfruten todos los beneficios del sitio y mejoren pues ese pésimo gusto tipográfico. Ya al que ni esto le sirva, pues en el Instituto Mariela los estan esperando con los brazos abiertos.

http://www.typetester.org/

Mil gracias Diego puerta por esta super valiosa colaboración

And Orowners On Car Title

No

Excellent article and a very good reflection on those who dare to care only for teachers of Design be uploaded on a pedestal of ignorance and could not find his true role in this profession is to be inspirational, motivational and example of love and passion by one run. ALWAYS in the teaching of Design, will be above the dreams of the student to the needs of egomania of teachers.

Rodolfo Fuentes

teachers are needed very friendly individual potential of each of the students who prepare and designers.

"Dont try to Be original, just try to be good." Paul Rand

The Education of a (good) designer does not necessarily begin when he decided to formalize it by going to an educational institution. Even without his knowledge, probably started much earlier to turn to the discipline of projection, curiosity and intellect seeking to accommodate the ability to create worlds, little worlds, little or large communication events. It is obvious that the training process does not end or anything, on leaving school ... education centers classical design paradigms, such as the Bauhaus and Ulm, Basel Swiss schools, independent schools or New Yorkers as Canbrook School of Visual Arts, the Royal Art College of London, etc., have been planted stones in the programming of a design education, with a marked emphasis on formal and formal applied. More closely in time, this area of \u200b\u200badvocacy, has shifted to the study of facts as conforming design of culture, assuming as valid the boomerang effect constant feeding and feedback as you do with what was done, sometimes new meaning, sometimes placing it as part of a widening repertoire of possibilities.

didactically To move in that space is essential to the implementation of a comprehensive design methodology, road signs and safely chaotic: the insertion in the world "global" in this profession from an approach to the systemic, understood as a horizontal relationship and multipoint with everything that makes up human existence.

formative processes "design" based solely on the acquisition of a corpus of computer literacy and / or processes for specific use or specific software packages, "typical of schools and institutes unscrupulous people who sell and certify the illusion of knowledge in three months, are instrumental simple changing tools, disposable and easily apprehended by anyone with minimal cultural training, and when the results are as rich or as empty as that for what they are used to ... So the dependency constraints that they develop. That kind of knowledge-and the lack of essential training workshop is as foreign-referential design as can be, "without going any further," the deepest knowledge in the discipline of an agronomist of the raisons d'être of a zen garden .

is essential to respect each individual, non-transferable share their own creativity and ability to project. As Gill said, referring Dorfles-just-a way of teaching and learning characteristic of Zen, as we can understand a Westerner, it is "assist learning the disciple "1. Search expand his knowledge, provoking, enticing, commanding sweeping and sometimes beating (figuratively, please) a skull in this area particularly hard, knowing that, as Guillermo Cabrera Infante joke "all men are equal but some are more equal others "2.

Learning design is a very serious business, and also and above all it is taught. Both ends require many years of training, reflection and practice. Together with more years of curiosity and daring experimental search, which are elements common to both sides of the educational process in design. The internalization of the gaze, the look is no longer measured in inches or millimeters elements we use, but in communication skills for which there is - or at least can not be readily accessible-units of measurement. How do we assess impact, poetry, identification, communication or its opposite inevitable? It's so hard to define the concept "quality". But conscious of knowledge accumulation is giving us clues to understand and above all, feel.

The transmission process knowledge of the design is for both teachers and students, exchange of experience and inexperience in learning what is now one of the most universal of languages \u200b\u200band as such needs at the same time, assume that "no rules", a deep immersion in the means and tools and a very precise and free swim in the crowded pool of securities.

"No rules", a concept that refers to the institutionalization of projecting a kind of anarchy. Creativity is not synonymous with anarchy and lawlessness is not synonymous with disorder. In many cases there are no rules because they are needed or rather because the potential to detract them the slogan that, in design, "we can do anything."

But once again the paradox: do whatever it has no other meaning than fully open the windows of imagination and take what we see there, which to our free apparently contributes to better meet the objective of the project.

basic processes of teaching design disciplines are very simple and transparent as they are the rudiments of ballet, for example, some positions básicas que se despliegan al infinito con la práctica y la suma de conocimiento, destreza y sensibilidad. Pertinencia del mensaje, conocimiento y manejo de las condicionantes culturales, presupuesto, estructura, color, ilustración, tipografía son algunos de los ejes sobre los que gira la enseñanza y por consiguiente el aprendizaje.

También, se hace necesaria la reflexión constante sobre el mundo propio, los gustos, las fobias, la música, el cine, en una palabra: el contexto personal como «container» y materia prima de nuestros métodos de trabajo. El desarrollo de la sensibilidad, práctica que no condice con una formal methodology, but with a "follow the thread" that leads through music, readings, films and even the contemplation of what happens through the window of the bus.

But just not healthy for a psychologist or a psychoanalyst to pass it by analyzing each attitude or event that happens to himself or those around him, the designer must be very clear when individual Typically, when professional, as it is a part that makes it possible for the other game in the old circular to be and do.

1. Dorfles, Gillo, Symbol, communication and consumption. Barcelona, \u200b\u200bLumen, 1984

2. Cabrera Infante, Guillermo, Three Trapped Tigers, Seix Barral, Barcelona, \u200b\u200b1969